Dorian Recordings, 2003, 90312
Celebrating the “Golden Age of Florence”, and re-imagining the music of the moving tableaux (parades) so popular during the reign of Lorenzo the Magnificent. With The Concord Ensemble’s 5 male singers.
Contents
Entrata degli Sancte
Alta Trinita beata – Anonymous, arr. Adam Gilbert
Entrata degli Amanti
Ben venga maggio – Anonymous, added line, Gilbert
Textless carmen– Heinrich Isaac (c.1450-1517)
Ecco’l Messia — Anonymous
Dieu quel marriage/corps digne — Antoine Busnois (c.1430-1492)
Vilana, che sa tu far – Anonymous
Lorenzo Innamorata
Canto dei profumieri — Anonymous
Cecus non judicat de coloribus– Alexander Agricola (c.1446-1506)
Jay bien et aver—Agricola, si placet voice, Gilbert
Trionfo di Bacco—Anonymous, recorder diminutions, Tom Zajac
Or udite el buono horare– anonymous
Trionfo della Guerra
Palle, palle — Isaac
Alla caccia — Anonymous
A la battaglia — Isaac
Regnum meum — Anonymous (Isaac?)
Par ung chies do cure — Isaac
Morte del Principe
Quis dabit capiti meo aquam? — Isaac
Trionfo della Fede
La giloxia — anonymous
Allegro canto — anonymous
Torna, torna — anonymous
Martyre e Exili
Adieu Florens la yolye — Pietrequin (fl. late 15th c.)
Carro della Morte — anonymous
Patientia ognum me dice — anonymous
Trionfo d’Amore
Che poss’io più se’l cielo — Jacques Arcadelt (c.1505-1568)
Perche quel che mi trasse — Elzear Genet dit Carpentras (c.1470-1548)
Nova belleza — Carpentras
Musica Divina
Lodate fanciulletti — anonymous (added voice, Adam Gilbert)
Media vita in morte — Francesco de Layolle (1492-c.1540)
Textless carmen — Adam Gilbert (Tenor after Isaac)